It’s still one of the most unusual names in show business, but, for Engelbert Humperdinck, it helped turn him into a legend in the international music industry in the past 40 years with more than 150 million records sold. A Las Vegas headliner on and off the Strip for many years, he’s now set for the first time to play the Smith Center for the Performing Arts over Valentine’s Day Weekend.
He’s recorded everything from “Release Me,” “After the Lovin’,” “Spanish Eyes,” the most romantic ballads, to “Lesbian Seagull” for a "Beavis and Butt-head" movie. In the 1960s, ’70s and ’80s, leading stars such as The Carpenters and Jimi Hendrix opened for him. And he displaced The Beatles atop the music charts.
His success story, however, might never have been. A battle with tuberculosis silenced him for six months and nearly extinguished his rising star. Many people assumed that his career was finished. Having regained his health, he had to make a comeback, and that was when then-manager Gordon Mills, also Tom Jones’ manager, suggested the new, outrageous but memorable name, the 1911 Austrian composer of “Hansel & Gretel,” Engelbert Humperdinck.
His credits are incredible: a Golden Globe for Entertainer of the Year, 63 gold and 24 platinum records, plus a star on the Hollywood Walk of Fame. One of 10 children, Arnold George Dorsey’s mother taught violin and had an operatic voice.
Born in Madras, India, he moved with his family to Leicester, England, at age 11 when he began to study saxophone. At 17, he entered a singing contest in a local pub north of England. His impersonation of Jerry Lewis won him the name change to Gerry Dorsey. (Incidentally, Jerry still thinks it’s the best impersonation of all time.)
After conquering TB, Gerry became Engelbert, and he started the sideburns and flamboyant leather jumpsuits that Elvis “stole” and made famous. The two legends often performed each other’s songs and kept a lasting friendship right up until Elvis’ death.
Known as “The King of Romance” for his uncanny knack of picking hit songs with the eternal themes of love and romance, Engelbert has completed recording his first duets CD, “Engelbert Calling,” with joint tracks with British pals Sir Elton John, Cliff Richard and Lulu and American friends Willie Nelson, Smokey Robinson, Johnny Mathis, Kenny Rogers, Neil Sedaka and KISS star Gene Simmons. He also duets with Flamingo headliner and Aussie friend Olivia Newton-John.
Elton, who headlines at the Colosseum in Caesars Palace, commented: “At 76 years, he is still sounding as good as ever. We had a great time singing together for the album.” It was released last fall. While in Las Vegas, Engelbert will wrap up his debut documentary of his career and concert and never-before-seen home footage for a peek into his everyday life.
My knowledge of Engelbert goes back to his Gerry Dorsey days and our friendship over 30 years when we filmed him for “Lifestyles of the Rich & Famous” in the lavish Beverly Hills, Calif., house he bought from film legend Jayne Mansfield. I talked at length with him while he was trapped in Florida by the East Coast blizzards as he began preparing for his Feb. 15 Las Vegas performance.
This will be the first time that you’ve performed at the Smith Center?
It will be the first time. It looks like a magnificent place, doesn’t it? There will be a slight change for the Las Vegas audience, but this show is tried and tested around the world. It’s the kind of songs that people, my audience anyways, want to hear. I do mostly my material, but I do stray and do some covers from other people’s music in order to keep it fresh and different. It’s been doing very well. I’m very happy about it.
Of course I have this new material I can work with having the new album, “Engelbert Calling,” the first duets in 80 albums. It’s just magnificent to have been working with all these amazing performers who have legendary backgrounds. People like Elton, Kenny Rogers, Willie Nelson. Absolutely amazing.
You’ve got a couple of Las Vegas residents in there. Elton John, Olivia Newton-John and regulars like Gene Simmons.
Gene Simmons was amazing. He brought so much fun into the studio. He’s a big man. I’m 6-foot-1, and he stood way above me. I had to stand on my toes to give him a hug. I even joke about him onstage. When he came into the studio, I couldn’t move. His tongue was everywhere.
This album took two years? That’s a real labor of love.
Two years, yes, indeed. It was partially done in London. We started it off in London and recorded all the tracks there, and we went to Europe, New York, South America, London, Las Vegas, Nashville and Los Angeles to finish it with the various stars. It went around the world quite a bit.
You also recorded this extraordinary single “All Together Now” by The Peace Collective.
If you go back in time about 100 years ago to World War 1 on Dec. 24, the Brits and Germans put down their arms for the day and sang “Silent Night” together, and they exchanged gifts in a “no man’s land.” They got out of the trenches, they shook hands, hugged each other, danced around, played football, and afterward the whistle was blown, and they had to go back to their trenches to start the war again. It just goes to show, these people really don’t want to fight with each other if they could play ball for one day and be friends.
They were actually shooting at each other on Dec. 23, took a day off and then went back to shooting each other Dec. 25? Amazing. I didn’t know this story.
It’s a lovely, lovely story. If you see the film “War Horse,” you get to see where I’m coming from with the song and the music for charity, which commemorates those troops who had one day of peace. The charity is The Peace Collective, and it’s for The Red Cross.
It’s nice raising money for these wonderful charities. Stars like Julian Lennon and Mick Taylor, we all got together to do a recording project that raised money for The Peace Collective. The song “All Together Now” made it to No. 1 on the charts, which is wonderful.
It’s open to the world to download so that we keep raising money for it. When I was there in England doing the track, I got to see The Queen again after 40 years or so. I took my daughter there, and it was wonderful to be in the palace with Prince Phillip again. I enjoyed it very much. My daughter enjoyed it.
With the Smith Center visit being part of your new North American tour, how many years have you been out on the road?
Actually, “Release Me” was 48 years old on Jan. 13, so this year marks 48 years. It was “Release Me” that put me on the road, so I say 48 years. It’s just unbelievable where the time goes.
That’s half a century. Do you spend enough time with your feet up on the couch so that you don’t resent travel, travel, travel?
It’s tough, the traveling. I used to do, somewhere in the region when Las Vegas was alive and when all the massive entertainers were headliners over there, two shows a night for a month in a row. It was 300 shows a year for a person like myself. Now I still do some worldwide tours but keep it to about 90.
So you’ve cut back a little bit to enjoy life at this stage?
I think that I deserve it! I’ve been really fortunate with my sales of records during my vocal career. It’s 150 million or so. Add in singles, and it’s a lot, lot more. It’s been a great journey, and I hope it never ends. This new duet album has given it a kick-start to a new life again.
Do you put it all down to the magic of romance?
I think so, yeah. I’ve tried all kinds of music, but my forte is romance. Good lyrics, good messages and good arrangements that are long-lasting.
I wonder over the years how many marriages you have prompted and how many babies you have started.
Dr. Humperdinck. By the way, I am a doctor, a doctor of music. Anyway, yeah, I have I guess helped a lot of marriages along the way because people talk to me. They say, “You know, after that song, it was the history of how we got married and had children.”
Romance never dies. I’ll tell you a wonderful story about my music. People love it, and they accept it. One man told me he had a Ferrari, and he said, “When I die, I want to be buried in my Ferrari with ‘Release Me’ playing as I’m lowered into my grave.” And his family fulfilled his request and did it. Unbelievable.
That’s got to be the most unusual music story I’ve ever heard. Do you still get underwear thrown at you?
Oh, yeah, it comes now and again for people who are looking for recognition, that sort of thing. It’s something that’s been going on for the last 48 years. I don’t think it will ever end. It’s just a continuation of something that started years ago.
Is it the music that keeps you young? Is it the profession itself that keeps you young? You’re happily married to your wife, Patricia, for 50 years and have four children and nine grandchildren. What keeps you young and romantic?
People say I’m a romantic, and I suppose I have to be because I don’t suppose you can be an actor or act being a romantic for that number of years. You can do it for a while, but you can’t fool the public all the time. You have to have a great memory to be a liar, and I’m not a liar. So I like to be the person who does things real. Yes, I am a romantic.
When were you last in Las Vegas doing a monthlong run of headliner shows?
In the ’80s. My early Las Vegas career was so magnificent. On my first visit, I wound up at the Riviera and met Dean Martin. Dean took a shine to me right from the get-go, and he signed me up to that hotel putting his name on the marquee, “Dean Martin presents Engelbert Humperdinck.” He never did it with any other artist that appeared there. I thought that was magnificent.
As we went on, we became good friends — it was a great relationship. I went on his show several times. He even let The Gold Diggers travel with me as my opening act. Dean used to rent my home, he used to stay in my home in Las Vegas. I’ve continued to come in for weekend shows at the Orleans over the years.
It’s been a long journey from the early days in Leicester and London. Any regrets about it changing your life entirely?
I have no regrets, no. Just a couple like when Gordon, my manager, died. There wasn’t a person to hold up as good as he did as a manager, and I had quite a few not-so-good managers along the way. My son Scott right now is managing me. He’s doing a fabulous job being that he knows me so well, and he understands my music.
He’s very good and has a very good ear for music. So when we’re choosing songs for the show, he’s very instrumental in choosing songs with me, and I’m very happy with that. I need his help.
When do you finish wrapping up the documentary of your career and life?
It will be finished actually when I come to Las Vegas. It’s going to be finished over there. It’s taken a whole year. You’re going to be seeing things that have never been seen before on film. There are backstories that nobody knows about. It’s going to be nice exposure. A lot of good things are happening in my life right now. We have a jewelry line coming to market that’s going to be fantastic.
But I’m really looking forward to bringing this legacy of love to the Smith Center for Valentine’s Day Weekend.
Engelbert Humperdinck plays the Smith Center on Sunday, Feb. 15, at 7 p.m.
Robin Leach has been a journalist for more than 50 years and has spent the past 15 years giving readers the inside scoop on Las Vegas, the world’s premier platinum playground.
Follow Robin Leach on Twitter at Twitter.com/Robin_Leach.
Follow Sun A&E Senior Editor Don Chareunsy on Twitter at Twitter.com/VDLXEditorDon.
By Robin Leach, Las Vegas Sun
Monday, Feb. 9, 2015 | 2 a.m.
http://lasvegassun.com/vegasdeluxe/2015/feb/09/engelbert-humperdinck-ive-tried-all-kinds-music-/